I just ordered one of these - should be here tomorrow. Will post samples ASAP. We’re officially HD now.
Basically what we have here is a DSLR from Panasonic capable of shooting 1080p HD and very smooth slow motion, too. It has been back-ordered across the country for almost 6 months, but I finally will have one for myself (tomorrow if it ships on time). What can I say? - I’m a nerd and I’m excited.
I might start a series of these Panolab shots on my iPhone - it sure beats just using the normal camera on this thing.
This was at Soldier Field (Chicago, IL) just before the start of U2’s 360-degree tour kicked off. The big black circle in the middle is a giant, expanding 360-degree LED video screen!
Here’s a departure from my music video production: Pink Together. Earlier this year I teamed up with General Mills and the Susan G. Komen foundation to produce videos for the 2009 Pink Together breast cancer awareness campaign. You will start seeing this stuff on General Mills products in the coming months and the videos are now live on the pinktogether.com website. It was a great project to be a part of and I want to thank the great people I have been working with (shout out to agencies Ultra Creative, Olson Company and my DP on the shoot, the talented Aaron Ripplinger). As you can imagine - every story is inspirational. I urge you to take a look and support the Susan G. Komen foundation in any way you can.
This month I’ve been asked to update the videos and combine them with photography for a large installation at the General Mills HQ campus back in the Twin Cities. Will post some photos when it’s done.
Check out this Trailer for the new Brother Ali album “Us” available September 22 from Rhymesayers. Big thanks for Jonathan Chapman Photography and Jules Ameel for coming in to help shoot, Joe at the Hideaway for letting me camp out for three weeks while they worked and Brother Ali for the opportunities.
I’d be lying if I said I thought this video would hit 15k in 5 days. Brother Ali is about to do something BIG.
Pitchfork keeps trickling in with gems from the festival. Finally a set I operated camera for! This was so fun… If you’re curious - I operated the camera on the stage that focused mostly on Wavves singer Nathan Williams.
Here’s a story I’ve been meaning to post. I was on the film crew at Pitchfork Music Festival a few weekends ago and they’ve started posting video online. This one is The Jesus Lizard, known for dangerous moshpits and a lot of stage-diving, spitting and other punk antics.
My good friend Isaac Gale was operating the camera here, center stage barricade, and I was assisting him (We were switching off all weekend). When I saw the first beer bottle thrown and land on the stage, a feeling came over me — I knew I was going to be the one to get hit. Sure enough 2 songs later, I felt a crash against my head and looked down to see a shattered vinyl record! My ear was bleeding and since I can’t see my own ear I was admittedly a little worried at the site of blood on my hand. Not to mention, my head really hurt. The nice people at the first aid tent cleaned it up and it really wasn’t too bad, just a cut and a bad headache. I was really mad though until I went back and the security guards presented me with my trophy — a Michael Jackson Thriller record shattered in about 30 vinyl shards. I’ll post a pic of it soon. R.I.P Michael.
UPDATE: It appears as though Pitchfork changes their embed codes at their will. The video you’re viewing probably is not the one I inteded to embed. I guess I wouldn’t expect anything less from the ever-so-pompous and “too cool for school” Pitchfork.
In case you missed it, the video for P.O.S’ Purexed (co-directed by yours truly and Brady Kiernan, edited by the talented Sam Heyn of Splice Here and shot by Bo Hakala) debuted on MTV earlier this month. Well, a few weeks later it is now listed as No. 1 on MTVu and the viewer comments are keeping me very entertained. Here are my favorites:
MTVu premier description:
P.O.S. always brings the same ambition evident in his songs to his videos and his latest “Purexed” is no exception.
YouTube Comments:
Hipoltry (4 days ago)
great video. props to kiernan and cohen.
nellyfabulous (5 days ago)
Both the song and video are absolutely fantastic. I’ve watched it like five times today.
smokinrodney (5 days ago)
a bad ass song and an amazing video… cant get much better.
Darkestjesty (6 days ago)
Wicked vid, blew my mind, crazy editing.
PoopFartShitStain (1 week ago)
this sucks.
cpetcow (1 week ago)
says poopfartshitstain
CBasso (1 week ago)
That’s the coolest video i’ve ever seen. Good song too.
Normandale1987 (1 week ago)
Clearly you guys shot this video in the winter…and you waited this long to release it? For shame.
blindspotted (1 week ago)
great song and the video’s awesome and matches it perfectly.. well done guys
I grew up in St. Louis Park, Minnesota. If the name didn’t sound like the smallest place on earth, I’d be more apt to tell everyone how great it is. Luckily, The New Yorker just did that for me — and quoted my high school journalism teacher/advisor/mentor, Mim Kagol. Those are tough acts to follow out of SLP…I hope that creosote plant and solar-lunar eclipse had a long-lasting effect.
The Times columnist Thomas Friedman, the political scientist Norm Ornstein, and the moviemakers Joel and Ethan Coen all grew up in St. Louis Park, within a four-block radius of one another. Some years ago, the ex-neighbors were asked by former Vice-President Walter Mondale why St. Louis Park produced so many notable people. [Senator Al] Franken suggested runoff from a nearby creosote plant. The Coen brothers grandly equated the place with a small area of Hungary that had produced several nuclear physicists. Friedman suggested a solar-lunar eclipse. Miriam Kagol, who taught journalism at St. Louis Park Senior High School (Friedman was one of her students), offered another opinion, in a piece about the suburb in the Jewish Daily Forward, where she spoke about the migration of Jews to St. Louis Park in the forties and fifties: “It was at the time that all the political ferment had reached the Midwest and people were just full of ideas and protests, opinions, speaking their minds, finding ways to be free and anti-establishment.”
From Entering Laughing: Senator Franken’s long journey
By John Colapinto, published July 20, 2009 in The New Yorker
I was hired to work with some fine folks at Optimus to operate a camera at the Pitchfork Music Festival starting today and going through Sunday (with what is sure to be a climactic Flaming Lips ending!). Watch the festival live online (click the image above, or go here).
Pitchfork Music Festival ‘09 Lineup (all times CST):
FRIDAY JULY 17 5:00 Tortoise 6:10 Yo La Tengo 7:20 The Jesus Lizard 8:40 Built To Spill
SATURDAY JULY 18 1:00 Cymbals Eat Guitars 1:45 Plants and Animals 2:30 Fucked Up 3:20 The Pains of Being Pure at Heart 4:15 Final Fantasy 5:15 Yeasayer 7:25 Beirut 8:40 The National
SUNDAY JULY 19 1:00 The Mae Shi 1:45 Frightened Rabbit 2:30 Blitzen Trapper 3:20 Pharoahe Monch 4:15 The Thermals 5:15 The Walkmen 6:15 M83 7:25 Grizzly Bear 8:40 The Flaming Lips
P.O.S is back again - well actually he never really went away. The wave he’s riding from Never Better is huge. I co-directed this video with Brady Kiernan in December and it premiered on MTV this Tuesday…enjoy!
It was the first time I’ve personally worked on the RED…I had been around them on a few shoots recently, but this was my first go with it and it is undoubtedly the best machine on the market.
Directors: Brady Kiernan & Ben Cohen Director of Photography: Bo Hakala Producer: Brady Kiernan Editor: Sam Heyn Design: Brian Olson
Just found out that Erbert & Gerbert’s Candle Cannon - a viral video I edited for Colle+McVoy in 2008, was just named to the shortlist at Cannes Lions in the Cyber Lions Viral Video category!
Honored to help put E&G, a small Midwest-based sandwich shop, among the most famous brands in the world including Levi’s, Nike, Adidas, Absolut, Diesel, Burger King and Discovery…and Colle+Mcvoy on the same list as some of the best agencies in the world: Droga5, CP+B, Cutwater, AKQA and 72andSunny.
CONGRATS TO C+M, E&G (and Me of course)! CELEBRATE!
I love what I do. Even when I’m up until 4 a.m. editing or my client refuses to acknowledge budget and scope, I love it. I think this industry - or any creative industry, for that matter - needs passion to survive.
I try to bring that with me every day and I try to seek out collaborators and crew that share the same love for cameras, stories and stunts that I do. That’s all I have to say today - if you love what you do, and you do it with love, nothing else really matters.